电影版剧情已经忘光了不过剧版是真的无聊浪费了九个小时不明白被吹成神剧的点在哪And it feels like the writers try to shove political correctness down your throat with unlikable characters.
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在歌舞片维度引入了真正“新”的东西:歌舞场景的无规则性和梦境质感(《儿子带女友被爸爸截胡》的炫技比之高下立判)且歌舞本身甚至被拿来创造无法被定义的“新”的情绪(如:conductor的Excuse me一段)The realization of the two relies fundamentally on the film’s expressive cinematography.